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 1 
 on: May 21, 2013, 05:45:43 pm 
Started by piedpiper - Last post by SchubertMachiavelli
I like the Noah Greenberg recording, but I would suspect the Decca Serenata recording from 1978, with Mark Brown, Pro Cantione Antiqua and the Landini Consort, may be closer to Munrow's intention... and may share quite a few of his musicians! Smiley

http://avaxhome.ws/music/classical/medieval/OxenfordDanielWhite.html (and scroll down a little!)

I often wonder how a piece of (relatively) obscure music such as this would be commissioned in the first place. Would Decca have detected a potential interest in releasing a recording of the play and then look to their roster of available artistes, do you think? In fact, do you think Mark Brown may have stepped in to provide Decca with a recording after their first choice of artist had sadly made himself unavailable?

Smiley

Paul

 2 
 on: May 07, 2013, 02:25:30 pm 
Started by piedpiper - Last post by piedpiper

 Munrow, and his Consort were intending to do the Play of Daniel but it was not to be. However, what is presented here is The Play of Daniel as interpreted by Noah Greenberg. To what extent, Munrows own arrangement would have been based on it is unknown...as he sadly ended his life.

http://www.youtube.com/watch?v=rXyK7yVwBVA

 3 
 on: May 07, 2013, 11:56:22 am 
Started by piedpiper - Last post by piedpiper



Maybe of interest..notably the pics..

http://www.thetweedpig.com/2011/03/james-bowman-high-praise-for-high-notes.html

 4 
 on: May 02, 2013, 09:26:20 pm 
Started by piedpiper - Last post by DavidG

The following gives us a clear idea of how much of Munrows arrangement of the later Renaissance Bands record was influenced by NY Pro Musica headed by Greenberg

http://www.youtube.com/watch?v=MPjdsQ97DZc&list=FLwQrKMQnSLGTj5V4f8Cwb7w

http://www.youtube.com/watch?v=NV3_gnlQX2E&list=FLwQrKMQnSLGTj5V4f8Cwb7w



Nice find!

Is it just me, or do these early recordings have more 'character' than today's rather clinical perfect renditions?


 5 
 on: April 30, 2013, 04:49:56 pm 
Started by piedpiper - Last post by piedpiper

The following gives us a clear idea of how much of Munrows arrangement of the later Renaissance Bands record was influenced by NY Pro Musica headed by Greenberg

http://www.youtube.com/watch?v=MPjdsQ97DZc&list=FLwQrKMQnSLGTj5V4f8Cwb7w

http://www.youtube.com/watch?v=NV3_gnlQX2E&list=FLwQrKMQnSLGTj5V4f8Cwb7w


 6 
 on: January 13, 2013, 02:51:16 pm 
Started by piedpiper - Last post by piedpiper

My evolving blog which takes much of its material from my many posts

on DM onsite can be accessed on this link




http://earlymusiclegend.blogspot.co.uk/2013/01/a-sagbutt-minnikin-and-flemish-clackett.html

 7 
 on: December 05, 2012, 03:44:56 pm 
Started by piedpiper - Last post by SchubertMachiavelli
Philip Pickett and Shirley Collins both appeared (together occasionally, but mostly separately) in various permutations of Ashley Hutchings' Albion Band of the 1970s/1980s. Again, the idea, so it seemed, was to marry diverse early instrumentation with folk music, although the end product was also a Folk Rock chimaera. I fear that Ms Collins' creative output dried up considerably after she was taken from her own milieu and placed into these more rocking contexts tho'.

I'm divided on the matter of Folk Rock. I have no problem with Folk Rock as a cross-pollinating genre, as it proves that a good tune's a good tune irrespective of the setting, but sadly, I have to say that too much of Mr Hutchings' output relies on a four-to-the-floor rock drummer booting the songs up the backside, with little thought for dynamics or interest. The end products tend to be rather homogenous, rather samey, much like a lot of the worst kind of 1950s rock'n'roll. It takes a band with decent sensibilities in both camps to 'do' Folk Rock well. Fairport Convention and Steeleye Span have both shown how well it can be done, and Ashley Hutchings was a founder member of both groups, before marrying Shirley Collins.

 8 
 on: November 24, 2012, 02:26:41 pm 
Started by piedpiper - Last post by piedpiper

Dear All,

          I am in the process of developing blogs which would also carry the following data about myself, and what I am really about.



... Robert Searle is the orignator of two major "work in progress" paradigms known as Transfinancial Economics, and Multi-Dimensional Science. He is also concerned notably with the development of his other projects especially the Eleutherian Theory, the Universal Debating Project, Improvised Musical Whistling, and Improvised Voice Instrumental Music. As well as this, he is a major contributor on a tribute forum on the musician David Munrow, and has a huge audio-visual collection of Mediaeval, and Renaissance Music, or Early Music on the internet. For any live links to the above put on a separate blog, press the "complete profile" below.
View my complete profile


http://thoughtsandvisions-searle88.blogspot.co.uk/

I am already having thousands of hits, and the name "David Munrow" will become increasingly better known to a wider audience as time goes by. As for this site there is a link on my profile page.



http://livelinksfromtheblogger.blogspot.co.uk/

Robert Searle / Pied Piper


 9 
 on: November 16, 2012, 04:24:10 pm 
Started by piedpiper - Last post by piedpiper
Another "jazzy" piece!!

http://www.youtube.com/watch?v=t7QBilISsj0

 10 
 on: November 16, 2012, 04:11:10 pm 
Started by piedpiper - Last post by piedpiper

Another piece...

http://www.youtube.com/watch?v=CQDA64cX7rY&feature=relmfu

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